The installation is structured around two gravitational centers, representing two distinct environments that shaped the exhibition: current reality and the study of Kabbalah. Their intersection resembles an accident—a collision between seemingly opposing forces that, in fact, share a common origin.

 

In the exhibition, interconnected gestures create a delicate system of balance and dependency. Wind blowing from fans at opposite ends of the gallery generates an “actual” situation. Candles embedded within sculptural objects mark points of singularity where their flames quiver, forever in danger of going out. The remaining installation elements are arranged around this fragile ecosystem, where flame and wind hang in insecure balance.

 

Game boards serve as scaled-down models reflecting real-world power dynamics. Stripped bare, the game reveals itself in its nakedness as a system through which different players cycle. The objects that make up the exhibition express reality’s deviation from measurable parameters, where distractions manifest through the erasure of markers of place, time, and identity.

 

Set within a garage-like setting, the installation presents a space where forces that have illusively driven us so far are now up in flames. In their conflagration, holes were burned for the spiritual to penetrate through, charging, accumulating, and flickering like” a point in the heart”. The beauty and majesty of Kabbalistic study leave their negative imprint. Like in photographic negatives, the exhibition’s images were burned against this exposure to light.